Log to Rec.709 Conversion LUTs

Sony S-Log3 → Rec.709

Technical S-Log3 / S-Gamut3.Cine to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

Canon C-Log3 → Rec.709

Technical C-Log3 / Cinema Gamut to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

Apple Log → Rec.709

Technical Apple Log / Rec.2020, iPhone 15 Pro and later to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

RED Log3G10 → Rec.709

Technical Log3G10 / REDWideGamutRGB to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

Panasonic V-Log → Rec.709

Technical V-Log / V-Gamut to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

ARRI LogC3 → Rec.709

Technical LogC3 EI 800 / ALEXA Wide Gamut to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.

ZCAM LUT 95.A001C0061 20240319114440 0001