Apple Log → Rec.709
Technical Apple Log / Rec.2020, iPhone 15 Pro and later to Rec.709 conversion. This is a neutral normalisation, not a creative look — it puts log footage on a correct display-referred starting point so you can grade from there. Built from the published transfer function and gamut matrix, with a highlight shoulder so over-white detail rolls off instead of clipping. 33×33×33.
Uploaded by FestivalLuts · 125 downloads
See the Grade Live
Drag the slider to compare ungraded and graded footage. Reference frames are Log3G10 stills from live event footage.
Try it on your footage
Drop in a still and see this LUT on your own frame. Your image stays in your browser — nothing is uploaded.
What this LUT does
Measured from the file itself: it adds contrast (about 51% steeper through the midtones); pushes saturation up around 46%; takes blacks to zero; leans warm shadows. It clips at least one channel on a saturated highlight, so give stage lasers and LED walls a look on the slider above before committing.
| Lattice | 33×33×33 (35,937 points) |
|---|---|
| Midtone contrast | +51% against the input |
| Saturation | +46% on average across the primaries and secondaries |
| Black point | 0 IRE |
| Mid grey out | 39 IRE |
| Neutral cast | shadows warm |
| Highlight clipping | yes — at least one probe pins a channel at 100% |
How this was measured: a 21-step neutral ramp and nine saturated probes are pushed through the lattice and compared with what went in. Contrast is the slope between 35% and 65% input; saturation is the mean change in distance from the grey axis; the cast is the direction a neutral input comes out at three heights. Rec.709 luma throughout — the same coefficients the previewer uses, so these numbers describe the image in the slider above.
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How to install
Step-by-step for the app you edit in